"24 And There's So Much More"

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So, as of... now, I'm twenty-four.  It's not terribly noteworthy; I've been referring to myself as 24 for two months now, and I have no plans and don't feel bad about it in the slightest.  But I suppose it's as good a point as any for reflection upon where I've been, where I am, and where I'm going.

I took the opportunity to look over some past entries around my birthday over the past 6 or so years that I've kept a blog.  I considered linking to them, but they're honestly rather embarrassing.  My 18th birthday post is so very indicative of the tension I negotiated for most of my newly adult years: irreverent, distracting humor and hints of hurt begging to be seen, felt, and touched.  My 20th birthday post is a direct reference to this tension, with a more mature articulation of the dynamics involved and signs of my increasing wariness with keeping up a veneer that was so very evasive as to be fruitless to all involved.

I say I'm embarrassed because the writing seems distinctly different.  It is not real, not honest, not the relentlessly exposing force I've turned it into.  I struggled with authentically engaging my emotions for years, and I suppose I still do.  But then, even as I felt miserable, I danced around them, hated them, tried desperately to intellectualize them and fight them instead of just acknowledging them as real regardless of what I thought they should be.  I was intensely aware that I was being read, and even as I strove for more authenticity, there were still fears of an audience that may or may not have existed.  There were still fears of admitting to myself the depth and truth of what, exactly, was going on inside of me.

I read the madcap attempts at humor on my 18th, attempts informed by puns and randomness, and I cringe.  It's a type of ridiculous, absurd humor that rather leaves me cold, today.  I read the poem with its stilted rhyme and all-too-blunt messaging, and I cannot help but shake my head.

The entry for the 20th, two years later, already shows more realness.  At that point, I still felt an intense desire to create something that would truly express myself, something that would give my life some meaning by the value it had to others.  I am not as brash, I am not as manic, I am not as.. young as my younger self's post makes me seem.  But I also feel old, feel desperate, feel that time is wasting.  At that point, Meredith was an increasingly distant memory and Elise was a raw and fresh pain, a reminder of my continued ineptness in lieu of any kind of validation.  I was still grappling with purpose and personality, identity by any other name.

But in that process, I was also becoming more artistic in my language.  It's rather pleasant to read something your past self wrote that you rather like.  In this case, it's the imagery evoked by humor.  "But humor cuts.  Humor stabs, humor gores, and its targets bleed laughter."  Its targets bleed laughter...  I really do like metaphor.

And I say this to say that I honestly feel I have grown, have matured over the past six years.  I am so thankful that I am who I am today instead of those people then.  I feel as if I have a handle on who I am and who I want to be.  My worries are decidedly terrestrial, at the moment.  And I know that's a phase. [I will relish the time when I will have solved my relationship with my self to a sufficient degree so I can focus more completely on how I relate to others].  But, aside from fits, I do not have existential dilemmas.  I do not feel that I am underachieving; unfulfilled in the challenges presented to me, perhaps, but I am not doomed to a mediocrity beneath my potential, traveling upon my present course.  I do not feel intense desperation over love, for I had one that was valid, and I now have one that may, perhaps, be sound.

I am becoming my own.  "Juliet" sounds so queer to my ear; it hurts the same way it hurt to hear the wonderful things my students described me as at governor's school that wonderful/terrible final night.  As if I don't deserve it.  As if it's not me, no matter how badly I want it to be.   But I am increasingly looking in the mirror and seeing her staring back.  I recorded my voice today, and I liked the way it sounded.  I can run my hand along my face and appreciate the new smoothness after the lazers have done their sci-fi magic.  I can cup my nascent breasts, stand topless, side-to-the-mirror, and see femininity sprouting.  I can fantasize about love and sex and not feel as if I am in an unnatural role with unnatural expectations.  I am not there, by any stretch.  But where I once felt primarily fear with small hope, I now feel so much hope with small fears.

What has changed me?  "Age," in and of itself, is unlikely to be the culprit.  Certainly, cognitive growth may have some minor role.  But in the years since I was 18, I have taken hundreds of hours of college courses.  I have become a feminist and immersed myself in its culture and philosophy.  I have written over half-a-hundred short essays for my peers to read.  I watched "The Wire" and defined my political philosophy.  I've begun to embrace the process of making Love a religion.  I loved and been loved for the larger part of two and a half years.  I've awakened my sexuality and grown into it.  I've come to terms with my gender dysphoria and begun transitioning to a self that expresses me authentically.  I've endured terror and finely-honed anxiety on a daily basis for a school-year and survived.  I've changed a not-insignificant number of lives for the better.  I've made better friends than I ever expected; friends who keep in touch no matter how far they are; friends who have not left when it's convenient.  I've been thoroughly humbled by being poor at something I tried to do.  I've been thoroughly encouraged by being good at something I wanted and enjoyed doing.  I've found someone who mirrors my strengths and insecurities with an uncanniness that defies reason.  I've begrudgingly embraced intuition, appreciating a knowing that operates outside of pure logic.  I've failed.  I've survived failure.  I've come to appreciate many of my strengths, come to acknowledge many of my weaknesses.

So even though I am unemployed, skeptical about my future plans, lacking in backups, at a perilous place in my expression of my identity, even though I am so much uncertainty in a place I never expected to be, I have grown and I am glad for it.  I think of the seventeen year olds I know (and there are an eerie number; it's senior year of high school all over again), and I wonder how much they'll change in the same time frame.  Hell, I think of myself, six years from now.  I will likely have been Juliet as an adult just as long as I was Dylan.  And, outside of that, who knows what will have happened and where I'll be or what I'll be doing.  If I've learned anything, it's definitely that personal prognostication is a fool's errand.  But I've learned that change is possible.  That hope is not illfounded.  That terrible, heart-wrenching things can happen, that depression, anxiety and stress can reign supreme, that failure can manifest its ugly head daily, and that, despite all this, I can survive and come out on the other side a better person for it.

And yes, this is a passing mood.  Just yesterday, I was self-doubting, terrified, bruised and raw.  But, at the moment, I'm thankful.  And I'm glad for the growth.  And I so look forward to a lifetime more.  Happy birthday, indeed.

Set Phasers for Cocoon

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And so another phase is complete, and the long cocooning begins.  Til now, I've had cause to leave my bed each morning, some exigent reason prompting me to rise in my normal hurried pace to pay for a few minutes ill-gotten sleep with more stress and rush is due.  I've had cause to don the vestments of my genetic predisposition, to cast myself as the unnatural in natural, put the lie to the world's apathetic gaze.  My days have been full, my nights akin to wonder, and although it is not the ideal, it was at least something more than the upcoming oblivion.

For now that my final class is done, my superfluous degree as good as inevitable, I have to turn to the more abstract tasks, the ones sans structure, sans rules, sans anything but a distant deadline that I only wish would speed this way.  When teaching, I learned of the desire for structure; individuals desperately wish to know what to do and how to do it; creativity and self-control are the bane of easy action.  And although I resented this pull then, I can see it now.  I can see it in my inability to rise from bed, in my days of ensuing isolation, in my gross uncertainty that cakes the resolutions of my new triad of narratives.  And what are these three arcs that I am hoping to complete before a year has passed?

1.  Transition.  Go "full time" and pass in public.  Establish a wardrobe that can maintain me through weeks and seasons.  Establish a speaking voice that shall not reveal the incongruity I so seek to hide.  Establish an internal and writing voice that forces out the gravelly reverberations of the male and leaves me authentic in my thoughts and words.  Change my name, socially and legally.  Change my pronouns internally and externally.  Own my femininity.  Be female.  Be it in my mind, in the minds of others.  Assume it from the moment I rise to the moment I sleep, and let no one be the wiser that I am the butt of a cosmic joke.  In short, maintain congruence with the internal self and external expression of that self.  And then take the damn thing out for a spin.

2.  Graduate school.  The GRE has been vanquished, leaving me with the less definite tasks to go.  Establish a list of schools with professors, deadlines, requirements, and everything in between.  Research professors' areas of study and, in so doing, determine my own preferences; then match.  Construct a resume that belies my lack of any employment paying over minimum wage.  Write a personal statement that at least compels admissions to move me to the interview stage.  Solicit letters of recommendation and then thank ever so profusely.  Assemble all the required materials and submit by the beginning of December (or other suitable deadlines).  Wait and worry and hope.  Hopefully get invited to interviews.  Hopefully do as well as I have in the past interviews.  Hopefully get accepted.  Hopefully find assistantships to pay for the damned thing.  Then go for six years!

3.  Love.  Yet again, by what I hope is coincidence and not some proclivity towards the depraved, I find myself in a relationship that defies convention.  I suppose, to an extent, that all of my relationships will take on this quality as a result of my transition, but I think even I'm overachieving on this one.  If it didn't have the trappings of the divine, the sheer illogicality and improbability of it (not to mention the rather tenuous ethicality) would force me to deny whatever sundry desires manifest and resign myself back to isolation.  But if I am taking to heart this rejection of absolute logic, this embrace of the intuitively, narratively felt in complementation to the previously unchallenged primacy of "reason," then I owe it to us both to see this through.  I have never felt so drawn, never felt so implicitly understood, never felt a desire to be so close, to so share in such intensity each aspect of life in a way that is thoroughly and wholeheartedly reciprocated.  If my metric is concrete, such abstractions are the ravings of a rationalizing madperson.  But I am in a different plane, a place of intuition and self-direction, a place that explores and tries instead of fears and stays safe in the petty superficiality of expectation.  Part of me still wants to label this insanity.  But the rest is completely enamored, magnetized and electrified.  She makes me feel scintillatingly alive, a conflagration instead of a candle in the dark.  So, this year, I'll love her, write her, talk to her each night in an ocean of more.  And again I find myself waiting, a year instead of weekly.  But I'll love, in all the ways I can, throughout this year.  Then I'll see where my love and our damned inexplicable dynamic lead.

So, three disparate goals, distinct in their implementations and results but common in their discoveries and elaboration.  On the path to those, there are a variety of intermediate goals:  Learning how to be properly domestic (cooking and cleaning) not because it's feminine but because I need to know how to do it damnit; reading everything I said I'd read when I got the chance; establishing an exercise routine and somehow acquiring a non-flabby stomach; getting through some of the hordes of video games I've purchased during Steam Sales but never played; writing at least one letter a week; etc.  I'll probably develop those as I go along.  August's goals:  Figure out insurance and don't sleep more than 8 hours a night.  I think that's manageable.

That's where I'm at, in all its banality.  I can feel the depression and the guilt looming, and I imagine it'll only get worse as we move towards winter.  But I'm also coming to terms with my hiatus.  And, thanks to goal 3, I really feel... ok.  Like I'll still be important and matter and be loved even if I fail.  And it helps to be loved.  It truly does.

Coming Out and The Name of Love

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With my sister leaving tomorrow and my class ending in a week and a half, it's increasingly becoming apparent that I have nothing left to hide from: I have to start physically/socially/emotionally transitioning.  Up to this point, I have flirted with it, acting coy by making eyes and playing footsie underneath the table.  But now I have to start getting serious.  I have to make resolutions of presentation, dedicate significant amounts of time to voice work, and, then, I have to start coming out to all the people I don't want to come out to.

Although I'm fearing the difficult, the time, the intangibility of the presentation aspects, I am relishing the chance.  I mean, that's what this is: it's the presentation (to others and myself) as female.  It's what I want, more than almost anything else.  And although it will be quite difficult and take a lot of time in so many regards, it is what I need to become any semblance of happy.

The coming out, though, is not what I'm relishing.  At PFLAG (Parents and Friends of Lesbians and Gays), one of the gay men who helps run it always says during introductions that his goal is to foster a world where children don't have to come out to their parents.  This is possible by normalizing LGBT identities and prompting parents to embrace such possibilities so that a child naturally develops into their own instead of ever feeling like they have to hide and eventually "come out."  Unfortunately, that's not the case today.

Now, I'm fairly fortunate, as far as these things go.  My immediate family has been tolerant, often varying degrees of helpful, in regards to my transition.  I have not been berated, cast out, attempted to be convinced otherwise (much), etc.  I've told quite a few friends and a few professors, and I have yet to have a negative experience.  Some are more supportive than others, but I think it's something of a shock that takes everyone time to get used to.

It's interesting, too, how you find that "coming out" is not just an LGBT issue; it's a secret that puts you at risk/makes you vulnerable once known.  I hadn't really thought about this too much, but I was talking to a friend who has cerebral palsy and she was mentioning how she had to decide when to tell people and how to educate them.  She said some people don't believe, many people never think of disability when making requests/making assumptions about others, and others are just plain ignorant about it and how to handle it entirely.   She will tell them, and they will treat her differently, not know what to say, detach because they feel awkward, responsible, helpless, confused.  And when she said this, it sounded exactly like coming out as LGBT.  And the more I talk to people, I realize that you have to come out about so much.  You do it if you're suffering from depression, suffering from abuse, suffering from addiction.  You do it if you're pregnant, getting married (or divorced), even dating (or breaking up with) someone.  You do it and sometimes it goes fine and sometimes it's too real and people react in all kinds of different, often hurtful and nonsupportive, ways.

Last night, for instance, I was talking to a friend who had a condition (I forget the name) that caused her to experience extreme pain during vaginal intercourse.  It was tearing her relationship apart, fundamentally altering her life, causing immense distress, and she'd only told about five people.  She had a hard time finding anyone to relate to, since she hadn't been sexually assaulted/abused and wasn't older, the demographics it normally affects.  And she said it would undeniably affect all the relationships she would be in.  She felt asexual and was worried that she'd never really find someone who would understand, much less feel that it wasn't a make-or-break issue.  And so much of that resonated with my experience as trans, from the social divisions to the secrecy to the fears about acceptance.

Of course, it's different, too.  Her issue is not something that will get her sent to hell, her issue is not something she has no choice but to come out about, her issue is not going to be stamped on her birth certificate and found in every background check anyone conducts.  By my issue doesn't preclude me from sex, doesn't prevent orgasm (although it does mitigate it, even with sexual-reassignment-surgery), and isn't quite so esoteric.  The similarities are striking, in both experience and reactions.

Reactions are the second half of the coming out equation.  It's one of the things I want to conduct outreach on, how to handle someone coming out to you in whatever way they do.  How to extend meaningful support, how to listen, how to help even when you can't really help.  But even though you can't make the pain go away, you would be surprised (although, honestly, you probably wouldn't be since you've likely been there) how far some support can go.

And, indeed, that "support" is an interesting concept.  For instance, one of my friends who reads this blog but who I haven't explicitly talked to this with made it a point to tell me he was supporting me, didn't fully understand (but hell, who can?), and that he wanted to be up front about these things.  To me, that meant a lot: he was assertive in his support, not just passively tolerant, and that makes such a huge difference.

My father, on the other hand, is and pretty much always has been passive in his support.  Indeed, for as long as I can remember, he has never had a problem telling me he loved me or that he was proud of me.  What he's had a problem with is actually making either of those mean anything outside of empty words.  Certainly, he likes the idea of being proud and loving.  But his love is usually limited to vague platitudes of "I hope everything works out for you" and some material support.  His pride is limited to those specific things that he wishes he could do/did (for instance, me writing for the paper and perhaps not drinking) but holds little regard for me as an individually competent and respectable person.

Case in point, he, my sister, and I went out to dinner tonight as a good-bye sort of thing before she moved.  On the way back, he asked her what she was doing for Thanksgiving, she replied possibly staying in Boston, and he tried to think of all these different ways for her to get back to Tennessee.  He spent a significant amount of time on it and said that he "just wanted her to feel wanted and supported."  Thinking of Thanksgiving and his parents, I was thinking that I would pretty much have to come out either then or a bit before then because, at a certain point, there's really no hiding my transition.  Even if I don't grow largely noticeable breasts, even if my hair is androgynous enough, my voice will likely (hopefully) get stuck in female mode and it will be uncomfortable, if not impossible, to sustain use of it as male.  I won't have the option of hiding, past a certain point.

He asked why I was quiet and subdued, and I said, "I was just thinking that I'll have to come out to [his parents, my grandparents] and I don't know when or how."  And he was immediately silent for a few minutes [my sister mentioned something about a dog].  A few minutes later, he said [roughly], "If that's why you're going up to see them next weekend with me, I don't want to go.  I just can't handle it right now.  I need you to help me out here."  Now, I never said anything about coming out next week.  And he is in a somewhat tenuous position at work, saying "I realize you're making some hard choices, but I just can't handle that now."

Now, as I've said, he hasn't shunned me.  He hasn't berated me or tried to convince me to stop.  He has questioned how fast I've moved and whether I've thought it all through and feels very uncomfortable speaking of it, but part of that's just his fundamental lack of trust and respect for me and part of that's just him getting used to the idea [My mother may not be the most discerning of readers, but she does her best to at least do research].  But you don't win an award for not simply being a brute or a jackass to people who are different.  You don't get to consider yourself an ally or a supportive person if the extent of your support is "I am tolerant of your choices, but let's talk about how this affects me."  And, in my mind, you don't get to say you love me if your love is nothing but crass materialism and the word itself.

This is just an example, of course.  If my father really was in a particularly trying part of his life, I might have some sympathy.  But he has always been like this.  He has always been depressed over his job, over his relationships, over something.  I have never known him happy, never known him in a "good place."  And hell, we're all in various struggles.  But he always holds this up as an excuse for why he can't do more than say "I love you."  If you've ever wondered why I hate gifts so much, it's because he will make such a huge deal out of needing to buy me something [despite my wishes] on my birthday, needing to get my mother or his mother flowers, needing to demonstrate his affection through some material form.  And yet, when it actually comes to him making compromises, risking anything socially or emotionally, listening to others, even trying to avoid hurting them, he puts himself and his perennial excuses first.  It's why he can tell us he loves us one day and then, the next night without a qualm, line us up and yell at the top of his lungs as my nine-year-old sister's screaming and crying her eyes out that he demands we tell him whether he and my mother should get a divorce.  And even when she pleads, "Nononononono" he continues, a bear-like interrogator, "Tell me.  Tell me.  Should we get a divorce.  Tell me."

It sounds so petty when I write it.  In and of itself, it's not much either.  But it's part of the pattern of his life where he must have an image of himself as a supportive, proud, and loving father [everything his father wasn't], but he never internalizes any of the responsibilities that go along with that role.  I have pretty good ideas of why he's like that, and he has undoubtedly been hurt.  But I know people who have been hurt in the same ways and to similar extents, and that doesn't stop them from making me feel like their love means active support.

By my definition, buying me a gift I don't want on my birthday isn't love.  Saying, "what you're doing is going to be hard as hell, and I'm going to stand beside you, risk myself alongside you, and defend you against it all" is.  When I say I love somebody, it's not empty.  It means that I will fight for them.  I will risk myself for them.  I will inconvenience myself, I will place my smaller concerns [when they are smaller, which is almost always] aside to help them in their time of need, and I will do what I can to help them be safe and happy.  I may need to be asked, for I am wary of being presumptuous in attempts to help them where they don't wish me to help.  But damn it, if I love you and you ask me, I will be there.

I'm still learning how to do that.  I'm still gaining a sense of self-efficacy where I think I can actually help others, that I'm actually valuable enough to make my help significant.  And I make mistakes.  But at the core, my idea of love is an idea in action, an emotion made manifest.  If you need me, I want to be there, emotionally, physically, mentally, whatever.  I won't be perfect in that, but I will do my damnedest to try.  And I know I am so fortunate to have many people do the same.

I love my father.  And that's why I keep going back to him, even after I was free, after the divorce, after he called me a traitor, told me I didn't love him, made me feel terrified to go see him and be alone with him and he was so angry, so so angry, and I wilt under his anger like a flower on fire, a rabbit before a bear.  I loved him, and I did not give up on him [insomuch as I felt I could do anything for him], and I kept risking myself for him.  And although I know better, it hurts anyway.

Thank you, and I hope you all know who you are, for making "love" more than just a word.

So, so, so

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I still can't stop crying.  I'd been wanting to for weeks and then, finally, around 3am, I started and I haven't been able to stop.  Stop in the sense that the ache won't go away, the incredible sense of loss and fear and love.  There is so much, so much.  I don't even know where to begin, if I even should, because deconstructing anything now seems almost sacrilegious, but I want to hold on so badly.  I have never felt so loved, so connected, so competent, so engaged, so known, so loving.  I have never.  And what, exactly, led to this whirl of circumstance I don't even know.  How a group of high school students could make me feel so goddamn good after a group the same age made me feel so so terrible is almost mystifying.  And the cruel, cruel irony of having to leave them so so soon, so so so soon after I finally find them hurts so much.

But I tell myself the hurt just means I care, and the care just means I had something worth caring so much.  And whether that is loving one, loving two, loving four, loving twenty, loving half a hundred, loving this pseudo-utopia, I don't know.  I have always wanted to stay at Governor's School, always wanted for it to never end, and yet this year has been so much more than the rest and now, for what seems like the first time in my life, I'm crying crying crying over simply saying good-bye.

They were so beautiful, sitting around me in the dead of night as I transformed into a monstrous thing to test them.  They were so beautiful, tears running down all five faces, as you looked at me and told me, again, how much you cared, again, how much I meant, again, how much it hurt that I couldn't trust.  Saying that I was so afraid of having someone run from me if they knew what was inside, while wondering aloud how they could ever do that since they would only find so much love beneath.  Saying how I gave them so much daily joy.  Saying how I understood better than anyone else ever had.  Saying that they knew I cared, knew I loved, knew I was so full of such love.  Saying I was brave in a way I almost believed.  Exposing how I wasn't, but staying nonetheless.  Saying that I was so, so important.  So, so, so loved.  So loved.  So loved.  They hurt me as they said so so much, the familiar hurt of fear and terror.  And I broke down.  I've lived more than a 1/3 of lifetime more than they have, and they broke me and they stayed with me as I collapsed.

I cried again as the sun rose, when it hit that it was over.  When there was no more denying time its due.  Tears streamed and I couldn't bare to face the end.  And so I fled to our familiar place, and wept at the loss and the love I never wanted to let go.  And they sat beside me.  Sat before me.  Held and would not let go.  You wouldn't let go.  I have always feared that letting go, and you wouldn't let go.  My rainbow paladin, my poet, my strong silent stalwart, my love-as-I-should-love-myself stayed until they had to leave, with tears in their eyes.

And they're gone, gone, gone.  Gone back to prisons, internal and out.  Gone back to the traps they set for themselves.  Gone back to unacceptance, gone back to disapproval, gone back to constant struggle.  And I'm going back, too.  Back to dependence.  Back to transgression.  Back to so much loneliness.  I never been so understood, so touched, so intimate, so connected, so loved, so loving, so so so until now, and they're gone.

You asked me if it was worth the pain, and I said, without a doubt, yes.  I knew there was a price for this love, for all love.  I knew it.  And it's so heavy to pay now.  But I would pay it a hundred times over because of so so so.  You asked me if I'd come for you, and I did, without a doubt.  I knew I would not answer, but I was so glad to go.  You asked me if I would remember you, and I said, with so much doubt, yes.  For forever lasts too long for promises.  But how could I forget this hole you've left behind?  How could I forget my haven, my baptism, my pilgrimage?  How could I forget?

I love you all.  I love you all so so much.  So so so much.  And I only hope, desperately hope, that I can spend my life in loving and being loved as, today, I had no doubt I was.  And I was.  I was.  So so so much.

Facsimiles and facades

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Words can be so constricting. Prisons of meaning, trapping the ethereal into dirty concrete. And yet, I chase them, like a knight after El Dorado, searching, always searching for the magic phrase that unlocks the cage holding the rest in.

In many ways, it's the same for identity. I mix and match, trial and error my way through self-definition (a vault to the word's cell) and inch closer to finding the form that matches the function. It hurts as much, if not more; a minefield plagued with poor fits and devastating pot holes that break and bruise so much more than the constriction of words. If anything, words are the tools of identity; I am trans, female, male, predatory, monstrous, overwhelming, self-centered, maniacal, TAB, noise noise noise. I am words, I am labels, I am identities that bash and bleed their way into and out of my self, stopping at nothing short of domination.

My favorite lines “this is not what I meant at all/ not at all” and “the train is always leaving, and you have not found your words.” Inexpression, anxiety to an existential degree. I have not found my words, and it fills me with the terror of the unknown. Everything I say, everything I am is not what I mean, not what I'm looking for. And I search, frantically, I search and scour and come up with facsimiles and facades. The words, the meaning, the self. Shades in lieu of colors, acts in lieu of actions.

And when you expose. When you do not tell but show, do not capture but be. When you are.

You are monstrous. Sorry monstrous. All apologies. King Kong in chains with the world taking pictures and leaving as they will.

Cognitive Dissident

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"This got me thinking more about identifying as a rape victim in public. One of the reasons I told my boss I didn’t mind everybody knowing was because I want everybody to think about rape when they see me. This is what a rape victim looks like. I want them to know that. I am a complex individual full of talents and abilities, and I want them to know that rape victims file papers, speak to judges, wear bad shoes, refill the coffee pot, call the repair people, eat their lunches. I want them to think about how many other victims they’re surrounded with and they don’t know. I want to be the antidote to the only depiction of rape victims most of us are going to get, which is either the secret hidden porno in the middle of a movie, or the horrifying image of a woman’s crying, contorted face on a rape “prevention” poster. Rape victims get up and walk around and look like everybody else. They fucking have to. They are there when you talk about Polanski. They are there when you make rape jokes. They are there when you use rape as a euphemism for “did a good job.” I don’t get to forget that, and I don’t think anybody else has the right to forget it, either." -HJ, @ Fugitivus

Two things:
1.  HJ's really turned me into an anti-rape advocate.  I think she's done it single-handedly.  I've read some other things, on the feminist blogs I frequent, but HJ's both humanizes and explicitly explains what it's like being a rape victim and coping with that to a remarkably vivid degree.  It's still surprising to me, though, that when I think of my counseling interests: domestic abuse, depression, gender identity/LGBT issues, self-esteem, and rape counseling, rape counseling is the only one I don't have immediate personal experience with.  It may be because my father was a rape victim, and I largely consider the miseries of his (and, consequently, my family's) life to be related to that.  But it's also so vividly sexist, so vividly hurtful, so vividly crushing that I can't help but feel compelled.  I'm not certain of many things, but supporting gay rights, destigmatizing mental illness, and bringing down rape culture are things I'll defend to pieces.

2.  I want to do what HJ describes above, but for trans people.  Of course, I think it's only something I could do if I was really comfortable with myself/my body/my presentation and identity, and I don't know if that'll happen.  But if it does, I want to be out and open.  I want to normalize transness, just as many homosexual folk have increasingly normalized gayness.  My counselor, a lesbian, once said someone told her that her very existence would cause others "cognitive dissonance."   The fact that she existed, in other words, was enough to fundamentally challenge the worldview of others.  And I want to do that.  In fact, I want to be a cognitive dissident (SEE WHAT I DID THERE?).  Not in a "SO ANGRY ALL THE TIME TRANSMASH" kinda way, but with an assertiveness about my identity that causes people not only to question the gendered way our society is structured but for people to question their own gender presentations.  That's my kind of activism: actively existing as a political statement.  And I think that's what HJ advocates in the quotation above.

Gender Part Four, Female

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(Divided for fluidity: part 1 safe, part 2 male, part 3 transition, part 4 female)


When I am female, I want to learn how to dance.  I want to swing, to flow, to twirl and be twirled, to move organically without hesitation, feeling my partner with the playful intimacy of the platonic or an electric incandescence.  I want to feel the visceral joy of physicality as music flows through you, linking the mass of humanity writhing in unison.  It's intrinsic, intense, not necessarily ecstatic, not necessarily desolate, but intense and so, so real.




Unfortunately, this is problematic because although my maleness is, arguably, an impediment to that state, this all reeks of self-image and self-esteem.  The dichotomy I've established is not one between male and female but rather between right and wrong, inanimate and alive.  It's not exclusive to transness but almost certainly to many who find themselves in various states of discomfort about themselves.

I say this is unfortunate because it leaves me searching for identity.  I am not, as the stereotype goes, a woman trapped in a male body.  I am a genderqueer individual who, for an inexplicable reason, identifies with and seeks female presentation.  Not just feminine, but female.

I say I want to dance when I am female, because I can't as a male.  Oh, I've tried.  Importantly, I don't want to lead.  I don't want to be the aggressor, the controller.  And that shouldn't be a problem, since that's a matter of gender.  And I wonder, if our culture was different and women could lead me instead, would I not feel this dysphoria?  Are cultural norms the things responsible for this?  Is it all just a matter of me not liking what society tells me to do?

Perhaps. But so too I'm aware of how people look at me and see something that shouldn't be there, that I can't stand, that isn't me, isn't expressing what I want it to.  Only in words can I express what I want, and there my gender doesn't come into play.  Perhaps I dislike the role of the male (or much of it, anyway).  But I have distaste for the role of the female, too.  What I want is to be authentic, whole.  I want to be real instead of a construct.  And even though so much of identity is a construction, there is something essential there that points us towards certain avenues of expression, certain presentations, certain ways of being that are truer than others. 

In many ways, dancing is emblematic of how I'd like to feel in general.  As a male, I simply cannot express myself physically because my physical express are not me.  I like me, for the most part; it is the maleness that I am so worried about.  And I hope that I can overcome that worry and anxiety by becoming female.  The stiff, self-hating, self-consciousness resulting from my maleness dropping away like shed skin and leaving a female fluid and vividly alive.

Again, not just feminine but female.  Female and feminine are distinct.  I would say that I already foster a great deal of femininity.  As far as stereotypes go, my body is slight, my mannerisms submissive (more often than not), my preference to be submissive rather than dominant, my valuation and facility with empathy, etc.  I am masculine, too, in some regards:  I am assertive sometimes to the point of being aggressive in debate, I have a masculine frame and facial structure, I have interests that probably veer towards culturally masculine although the way I interact in those spaces tends to be closer to feminine.  Point being, becoming female is not simply a matter of feminisizing my personality; I've already, significantly, done that.

What it is, though, is a set of signs and signals, understood implicitly by our culture, to represent the female.  Clothing, obviously, is very significant.  Voice, a make-or-break.  Ways of taking up physical space, gait, demeanor, hair, shoes, makeup, and more and more.  These all have elements of femininity to them, naturally; gender is a construction, after all.  But they're learned on a level that make them difficult to crack.  I'm trying, but it's difficult to feel "female" without them, which is discouraging because it's difficult to practice them if I don't feel female.

I say this to try and say that it's a difficult thing for me to conceptualize and make real.  I can crossdress, I can work on my voice, I can do all these different things, but to actually feel female?  To actually believe?  I cannot simply say "I am letting my true self come out" because what I'm doing is constructing myself according to cultural norms of sex.  They're norms that, mostly, I'm pretty ok with meeting (in the theoretical "You can do it!" kind of way).  Yes, I want to wear skirts.  Yes, I want to speak like a woman.  Yes, I want to be pretty.  But one of the reasons it's taken me so long to get here is because I know how fake it all is.  I can wear a skirt and be male, I can speak differently and be male, and I can, to some people, be pretty and be a male.  Hell, I can have a vagina and still look, talk, think, and act male.

So is being female just a matter of critical mass?  It's not just the clothes, not just the mannerisms, not just the voice, not just the physical aspects, but instead an amalgamation of them all?  As if gender is a scale and at some magical point one trait or prop or the other tips it from one side to the other.

You can note my incredulity, but I cannot conceive of an alternative.  And maybe that's ok.  I don't know why I want these things.  I don't know why I identify this way.  But when the pieces start falling into place, and the scale finally tips, I feel... right.  I feel joyful.  Not because I think only females can feel joyful, but because I am thankful for so much, excited about so much, engaged with so much and this maleness stands like a wall, a dam blocking it from flowing.  And I wish I knew why.  I wish I knew why.